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PhD, University of Reading; MA, Birkbeck College, University of London; Laurea Quadriennale, University of Catania
Sergio Rigoletto has a joint appointment in the departments of Cinema Studies and Romance Languages. His research explores the relation between social change and media aesthetics (especially cinema and TV). He has written extensively on queer cinemas, film stardom & performance, international television, film costume, and many aspects of Italian cinema. He is the author of two monographs:
He has co-edited a book entitled Popular Italian Cinema (Palgrave: 2013).
'Universality, Difference and Spectrality in Call Me by Your Name, Journal of Cinema and Media Studies, forthcoming.
'On Xavier Dolan's Musical Parentheses', New Review of Film and Television Studies, forthcoming.
‘(Un)dressing Authenticity: Neorealist Stardom and Anna Magnani in the Post War (1945-1948)’, JICMS, 6:3, 2018, pp. 389-404.
'Anna Magnani in The Golden Coach' in Murray Pomerance and Kyle Stevens (Eds.), Great Cinematic Performances: International, Edinburgh University Press, Edinburgh, 2018, pp. 69-80.
‘Against the Teleological Presumption: Notes on Queer Visibility in Contemporary Italian Film’ in The Italianist, 37:2, 2017, pp. 212-227.
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copertina finale biblioteca-cinema-rigoletto-norme-traviate(3).pdf | 429.73 KB |
cover masculinity.pdf | 608.48 KB |